Robert Gale Ongley

Tag: arts

  • THE ARTISAN

    It’s a poetic word, not so much in the way it sounds, but in how it brings to mind images worthy of poetry. It might be debatable, but to me an artisan is someone who is living a life of poetry. The first thoughts that arise when I think of an artisan are leather, a potter’s wheel, and a weaver’s loom. The artisan, in my wistful daydream at least, is a person of integrity and respect, a person who is essential to the community in bridging the practical with the artistic.

    The Artisan Elucidated

    To ensure there is no confusion on either my part or yours, I will share some specifics about what constitutes an artisan. After all, the term refers to a rather broad range of people. In general, an artisan is a worker who practices a trade or handicraft, also known as a craftsperson. The term can cover not just a person, but a company as well, if the activity involved has to do with a product made in limited quantities while using traditional methods. You may think of artisan beer or artisan bread or even artisan beer bread.

    The term especially applies to a skilled craftsperson who works with their hands. They could use their mouths for that matter, as in the case of the glassblower, but the point is that they ply their skills without the impersonal advantage of mass production tools. Probably in most cases, the product is made one at a time. I dare say they are making their much needed and highly treasured works primarily as a labor of love. There are basket makers, stone masons, gardeners and blacksmiths. Also sail makers, jewelers, boot and shoe makers. And don’t forget the furniture maker, the bone carver and the storyteller. There are so many more. The truth is, they make up the fabric of our society.

    No Civilization Without Artisans

    It is believed that civilization began in Mesopotamia, where Iraq is now. As the region evolved into a culture beyond that of hunters and gatherers, agriculture developed. With ample food on hand, people were able to expand their sphere of activity to fashioning materials and goods that made their lives more comfortable as well as efficient. Commerce blossomed and currency evolved from barley to coins. In this new economy with cities and towns, the artisans were able to make a living with their diverse skills that filled many needs.

    Imagine what an exciting time that must have been. I’m guessing there was a bazaar in every town of note. People with coin and some with a sheep to trade perhaps would have been browsing through all the fascinating artisan booths and tents. Tools and jars and jewels…a mind boggling array of crafts created with artistic dedication for an affluent community!

    They’re Still Among Us

    After the assault of the Industrial Revolution on the artisan community–which continues even today–there was a lowering of the bar for excellence and lasting quality. Our throwaway economy is a testament to that. Yet, the artisan survives. It would seem there is always a market for handmade wares of merit, excellent design and durability.

    In the city where I live, a group has been part of the arts and crafts culture for many years. It’s known as Old Town Artisans. The location covers a city block in the center of Tucson. Construction of the adobe buildings in this block was started in the 1850s. There are many shops there now with items ranging from original pottery thrown on premises to Native American jewelry, artisan pasta and so much more. A good friend once had an art gallery there and my wife’s paintings plus one of my novels were on display for sale.

    Part of my inspiration for this post is a television series called The Repair Shop that celebrates artisans and demonstrates beautifully how important this part of our culture is to people. It’s a BBC production and is now available on Netflix. Each episode consists of people who bring in for repair their family heirlooms which have fallen into disrepair. A team of excellent craftspeople restore a variety of objects that apply most to their individual skills.

    The Repair Shop is a heartwarming series. Those who submit their items for repair usually have a deep connection to them and are profoundly touched when they see the remarkable transformation the skilled workers are able to accomplish. I’ve seen 19th century furniture, steam-engine toy cars, generations-old teddy bears and classic paintings restored with an expert and loving touch. These are just a few examples from the 122 episodes that have aired. The artisans do the human race a huge favor by keeping alive an ancient tradition we can ill afford to lose.

    The Heart of the Arts

    The original artisans were making products people needed for everyday living. Many of those who were called to do this work had the creative impulse within to make these items not only practical, but aesthetic as well. The modern arts were born with these generous folks. Their kind are still giving and we are forever in their debt.

  • THE ARTS IN THE WAKE OF PESTILENCE

    As we deal with the effects of COVID-19 on our lives and society in general, our thoughts are increasingly focused on the future. The chances are that changes we’ve seen in our social behaviors, in our personal hygiene and in our economy will have a lasting impact. The normal of the past will remain there and not be replicated in the future.

    One aspect of life that could change is the arts. Across the fields of painting, music, film, writing and more, our experience as a result of the pandemic will be reflected widely and often. History supports this prediction in fascinating ways. Take a trip with me back through a few of the darker periods of human affairs. Some interesting patterns develop.

    The Black Death

    We all know about the Bubonic Plague. The king of the pandemics came in waves, enduring off and on for approximately 400 years. It took at least 75 million lives and possibly as many as 200 million. The worst years were in the 14th century, in the Dark Ages.

    The darkness spread to the scenes depicted in artists’ creations, which had previously illustrated Biblical references to life followed by progression to a heavenly plane. Now it reflected a fear of death occasionally seen as the wage of sin. A pessimistic realism began to dominate artistic expression. Whereas deathbed scenes in earlier paintings would usually show the dying person surrounded by loved ones carrying out a type of social ceremony, the plague inspired scenarios where the afflicted was left alone with only Death overseeing the transition to the next world. Death might be shown as an angel or a decomposing skeleton.

    On a brighter note, one of the most influential books in history was written just after the worst of the pandemic, published in about 1353. Titled The Decameron, it was written by Giovanni Boccaccio. It is framed as a tale about seven women and three men who leave the highly infested Florence and shelter in a secluded villa. Each evening, they would sit around and each would tell a story. They did this for 10 nights and thus related 100 tales in all. They make up the bulk of the book, as the story of their sheltering is mainly a backdrop.

    The Decameron stories vary in tone, but there’s plenty of humor to offset the tragic content. Some of the writers whose work was influenced by this classic include Shakespeare, Chaucer, Swift, Keats and Longfellow. Even modern film and television have used tales from The Decameron.

    Spanish Flu

    World War I was in its fourth year when at the beginning of 1918 the Spanish Flu hit. It hit hard for two years, ending the lives of as many as 100 million people.

    There was a direct product of the epidemic in the area of artistic design. Because the virus could remain infectious longer on fabric furniture than harder surfaces, new furniture was created by Marcel Breuer of wood and tubular steel that was more practical for the times and fresh as well as innovative.

    In the realm of oil painting, a unique style was mastered by an artist from France named of Chaim Soutine. He produced many landscape works that featured intense use of his brushes and bordered on the abstract. The themes were dark, but were sometimes comforting as well.

    The Dada Movement, known for its satire and irrational qualities, covered painting, dance and poetry. It peaked during the epidemic and helped advance avant-garde subculture that probably helped pave the way for the changes of the Roaring Twenties.

    The Global HIV/AIDS Pandemic

    It’s just my opinion, but I think the HIV/AIDS pandemic has been the most underrated and under-acknowledged viral catastrophe in history. Being that the virus compromises the victim’s immunity to diseases, the person with HIV can die from resulting diseases such as tuberculosis, pneumonia and even cancer. Thus, HIV has been the root cause of more than 32 million deaths on the planet. Although the infections peaked in 1997, there were still approximately 1.7 million new cases in 2018.

    This disease is terrifying, but it didn’t cause nearly the uproar that COVID-19 is currently. Without getting into a discussion of prejudicial views and the injustice attached to those views, I’ll just say it appears that once the majority population learned they could avoid it by practicing avoidable safe behaviors, they felt insulated and mostly put it out of their minds.

    As to this pandemic’s effect on the arts, I am not aware of any related art that broke new ground when it comes to style or form. I may be missing pieces that did so along the way. Of great importance, however, is the content in the arts that shone a light on the humanity of those who contracted the disease and the suffering they endured.

    Several examples of profound art that did rouse the attention of the detached who felt little compassion for the afflicted: 1) The film Philadelphia, which connected us with characters we cared about, making us hurt as we saw them wasting away into oblivion; 2) Large display art from the 1980s and on helped raise awareness of AIDS when the government and medical industry were largely ignoring it. Such slogans as “Silence=Death” and “I HAVE AIDS…Please hug me…I can’t make you sick” were strong reminders that some of our fellow humans were in need of help; 3) The AIDS Quilt Songbook is a musical effort aimed at bringing up awareness of the plague. It presented 18 songs that communicated directly, even bluntly, about the horror AIDS patients were going through. There have been subsequent editions of the songbook, keeping the message going.

    What to Expect

    There will be new songs out there about life-altering changes due to the COVID-19 pandemic. I’ve written one myself, a satirical look at how certain people at the top of the political food chain have reacted to the disaster and how they weigh the importance of the economy versus actual lives. I expect to see films and TV shows dramatizing the already intensely dramatic lives of our medical staff and essential workers whose contribution during these times has been nothing short of remarkable.

    The effect the coronavirus has on our arts will likely be determined by just how rough the road ahead is, so from that perspective I hope the change will be minor. I do believe when this is over, our civilization will have a resurgence that may transcend the pre-virus version. After the Black Death, Europe entered into a Renaissance. After the Spanish Flu, big changes came with the Roaring Twenties. While we might not really assess properly the effect of HIV/AIDS, especially since it’s still not under full control, perhaps we can realize one positive aspect arising from it. Sexual orientation has gained wide acceptance, reducing discrimination tremendously in our society. While many saw the disease as a way of removing a segment of sinners from the earth, it may have been a way for the judges to see the judged as fellow humans who should be accepted as they are–whole.

    Adversity presents an opportunity for growth. History has shown us how. May better times be ahead when this difficult time is behind us.